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Saxophone Colossus is one of Sonny Rollins' most acclaimed albums. Recorded and released in 1956, it has been awarded a rare Crown by The Penguin.

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Saxophone Colossus" is one of Sonny Rollins' most acclaimed albums. Recorded and released in 1956, it has been awarded a rare Crown by The Penguin Guide to Jazz, and is widely considered the masterpiece of his mid-1950's series of recordings for Prestige Records and one of the greatest albums ever issued on that label. St. Thomas" is a calypso-inspired piece named after Saint Thomas in the Virgin Islands.

Saxophone Colossus is the most successful of the late 1950s albums that made his reputation. Rollins's playing never falters; he's backed by the redoubtable Max Roach on drums, Tommy Flanagan on piano, and Doug Watkins on bass. Rollins is equally at home with the lilting Caribbean air of "St. Thomas," standards ("You Don't Know What Love Is"), blues ("Strode Rode," featuring a driving Flanagan solo), and a smoldering version of Brecht-Weill's "Moritat" (better known as "Mac the Knife")  . Watkins is a bassist to whom I pay close attention, which makes this album all the more valuable to me. He was Charles Mingus choice to replace himself (so he could play piano) on Oh Yeah (US Release), and had Watkins not died at 27 he had the potential to be one of jazz's top bassists.

By: Sonny Rollins (1956, Jazz). More albums from Sonny Rollins: Freedom Suite by Sonny Rollins. The Modern Jazz Quartet At Music Inn - Volume 2 by Sonny Rollins. A Night At The Village Vanguard by Sonny Rollins. Sonny Rollins Volume 1 by Sonny Rollins. Brilliant Corners by Sonny Rollins. Moving Out by Sonny Rollins. Thelonious Monk, Sonny Rollins by Sonny Rollins. Sonny Rollins And The Contemporary Leaders by Sonny Rollins. View all albums . Saxophone Colossus. By: Sonny Rollins (1956, Jazz).

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Sonny Rollins: Saxophone Colossus by Eric J. Iannelli, published on September 14, 2009. Saxophone Colossus was cut just four days before the death of Clifford Brown, in whose outfit Rollins, following stints with Davis, Bud Powell, and Thelonious Monk, had been playing until that point, and whose co-leader, Max Roach, is the one delivering that memorable drum intro on "St. Thomas" (George Morrow, the Brown/Roach bassist, will get a mention in a moment). Albeit Rollins' third disc at the helm, it was the one that firmly established the twenty-five year-old as a leader in his own right. Work Time, a more straight-ahead hard bop effort than Saxophone Colossus (four of its five tracks are standards, or at the very least non-Rollins charts), comes after its chronological successor here.