Mel Tormé / Carmen McRae - Ralph J Gleason's Jazz Casual - Two Original Shows On One CD! mp3 flac download

Jazz Casual - The Dave Brubeck Quartet and Ralph J. Gleason - Продолжительность: 50:20 onemediamusic 233 .

Ralph Gleason's Jazz Casual: Mel Tormé & Carmen McRae - Студийный альбом от Mel Tormé, Carmen McRae. Вышел 14 августа 2001г. В альбом вошло 23 треков.

Шоу QUINTESSENCE – уникальное представление Вашем празднике! Звоните и бронируйте!

Listen free to Carmen McRae – Ralph J. Gleason's Jazz Casual, Vol. 2 (Time's Gettin' Tougher Than Tough (feat. Vince Guaraldi, Marty Budwig, Colin Bailey & Ben Webster), 'Taint Nobody's Business (feat. Vince Guaraldi, Marty Budwig, Colin Bailey & Ben Webster) and more). The Ultimate Mel Torme. Carmen Mercedes McRae (1920-1994) was a . jazz singer, songwriter, and pianist. McRae was born in Harlem, New York, on the 8th April 1920, and studied piano as a child. As a teenager she came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings Wilson. Through their influence, one of McRae’s early songs, "Dream of Life", was recorded by Wilson’s longtime collaborator Billie Holiday.

Jazz Casual was an occasional series on jazz music on National Educational Television (NET), the predecessor to the Public Broadcasting Service (PBS). The show was produced by Richard Moore and KQED of San Francisco, California. Episodes ran for 30 minutes. It ran from 1961 to 1968 and was hosted by jazz critic Ralph Gleason. The series had a pilot program in 1960. That episode, however, has been destroyed. 31 episodes were broadcast; 28 episodes survive Contents.

Producer – Ralph J. Gleason. Producer – Donald Elfman, Naomi Yoshii. Tenor Saxophone – Ben Webster (tracks: 1, 3 to 7). Vocals – Jimmy Rushing (tracks: 10, 12, 14, 16), Jimmy Witherspoon (tracks: 1, 3, 6). Notes. 2001 Rhino Entertainment Company, d/b/a Rhino Home Video. A Koch Entertainment Company. Jimmy Witherspoon - Originally broadcast January 4, 1962. Jimmy Rushing - Originally broadcast October 26, 1962

This compilation combines separate appearances by Mel Tormé and Carmen McRae on Ralph Gleason's Jazz Casual TV series, both of which had been previously issued as individual Rhino videos (as well as together with Jimmy Rushing's appearance on a Rhino DVD). Tormé is supported by a little-known but competent trio with which he was touring the West Coast at the time

1 We've Got A World That Swing. 5 Sidney's Soliloquy.

Jazz collectors worldwide will rejoice on March 23 when RhinoHome Video launches Ralph J. Gleason's JAZZ CASUAL series. For years,collectors have suffered through watching poor-quality bootleg video copiesof these shows, and now the series is finally remastered and outwith the blessing and support of the Gleason estate. a collection of rare moments indeed. Carmen McRae could sing. That's for certain in this rare on JAZZ CASUAL with the Vince Guaraldi Trio. She manages toimbue her performances with such emotion, suchcommitment, she could have been singing directly to you," raves Toby Gleason.

Kids Are Pretty People - Thad Jones, Mel Lewis, Snooky Young, Richard Williams, Randy Brecker, Danny Moore, Jerome Richardson, Seldon Powell, Eddie Daniels, Jerry Dodgion, Pepper Adams, Bob Brookmeyer, Jimmy Knepper, Garnett Brown, Benny Powell, Roland Hanna, Richard Davis. 7. Don't Get Sassy - Thad Jones, Mel Lewis, Snooky Young, Richard Williams, Danny Moore, Randy Brecker, Seldon Powell, Eddie Daniels, Jerry Dodgion, Pepper Adams, Bob Brookmeyer, Jimmy Knepper, Garnett Brown, Benny Powell, Roland Hanna, Richard Davis.

Jazz instructor, columnist and Rolling Stone magazine cofounder Ralph Gleason hosted the half-hour programs for the . National Education Television Network. The black-and-white shows are prototypical public television of the era-bare-bones stages, basic camera shots, mediocre audio and a stuffy overall atmosphere. Occasionally Gleason's a bit tentative and doesn't get much from the musicians, but it's much more humane and watchable than modern interviewers who fawn, attack and dominate airtime making long statements with no real questions attached. Almost equally bad are inconsistent volume levels between episodes; the original shows no doubt had to deal with imperfect technology and the wide range of performers, but basic engineering during the remastering process would have solved it for the DVDs.