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Basement Boys Present Mudfoot Jones - Mudfoot Jones mp3 flac download

Genre: Electronic / Blues
Performer: Basement Boys
Title: Mudfoot Jones
Style: House, Delta Blues, Deep House
Date of release: 2006
Country: UK
MP3 album size: 1812 mb
FLAC album size: 1757 mb
Digital formats: VOX MIDI WAV AAC AUD DXD FLAC

The Basement Boys Present: Mudfoot Jones. KudosRecords, INgrooves (от лица компании "Savoy Jazz"); UMPI.

That Jazz (Extended) - Mudfoot Jones. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией

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Album · 2012 · 12 Songs. 4. Jaybird (Extended). Basement Boys Music. More By Mudfoot Jones. See All. Never Seen It Comin' (12" Vocal Mix) (feat. Black Heroes (12" Mixes) - Single.

Complete your Basement Boys Present Mudfoot Jones collection. House has borrowed from jazz, blues and gospel for quite a while now, and when the Basement Boys get their hands on Mudfoot Jones, the results are quite nice. Jaybird," at the start, surprises with some brisk breaks, But "Everything's Gon' Be Alright" dives right into the house, with some scatting for good measure.

Listen to music from Basement Boys Present Mudfoot Jones like Never Seen It Comin, Swingin' & more. Find the latest tracks, albums, and images from Basement Boys Present Mudfoot Jones.

The Basement Boys present Mudfoot Jones - Gotta Hold One, 03:37. The Basement Boys present Mudfoot Jones - Gotta Hold One The Basement Boys present Mudfoot Jones - Gotta Hold One The Basement Boys present Mudfoot Jones - Gotta Hold One The Basement Boys present Mudfoot Jones - Gotta Hold One The Basement Boys present Mudfoot Jones - Gotta Hold One The Basement Boys present Mudfoot Jones - Gotta Hold One. The Basement Boys present Mudfoot Jones Gotta Hold One.

Get new release alerts. Basement Boys present Mudfoot Jones. DJ-friendly full length tracks. What is Album Only? Some artists and labels prefer certain tracks to be purchased as part of an entire release.

A conceptual album from the production duo that made Crystal Waters' "Gypsy Woman" so darn seductive, Basement Boys Presents Mudfoot Jones is a rousing nostalgia trip loosely based on a fictional blues drummer from Louisiana (accent on "loosely"). The Mudfoot character crops up in the intro and interludes, but it's really just an excuse for the producers to explore and twist early jazz, blues, and gospel into stylish, funky dancefloor numbers

The Basement Boys is an American house music production team that was formed in Baltimore, Maryland. The founding members are Jay Steinhour, Teddy Douglas and Thommy Davis. The Basement Boys had all previous experience as DJs in the Mid-Atlantic states and they began producing together in 1986. In 1988, the group scored a hit single together with "Love Don't Live Here Anymore," which hit on the . Dance Club Play and on the Maxi-Singles charts.

Tracklist

1 Introducing Mudfoot 0:08
2 Jaybird 3:40
3 Everything's Gon' Be Alright 8:05
4 Gotta Hold On 3:37
5 Juke Joint Doorman 0:36
6 Pray For Me 3:48
7 Swingin' 3:00
8 That Jazz 5:00
9 Never Seen It Comin' 4:47
10 Take 53 0:10
11 Boomerang 3:35
12 Hold On I'm Comin' 1:51
13 Mamma's Spanish Joint 2:55
14 See The Light 4:16

Barcode and Other Identifiers

  • Barcode: 7 95041 75912 2

Other versions

Category Artist Title (Format) Label Category Country Year
FSRCD021 The Basement Boys Present Mudfoot Jones The Basement Boys Present Mudfoot Jones - Mudfoot Jones ‎(CD, Album) Freestyle Records FSRCD021 UK 2007
Comments to album Basement Boys Present Mudfoot Jones - Mudfoot Jones
MOQ
House has borrowed from jazz, blues and gospel for quite a while now, and when the Basement Boys get their hands on Mudfoot Jones, the results are quite nice. "Jaybird," at the start, surprises with some brisk breaks, But "Everything's Gon' Be Alright" dives right into the house, with some scatting for good measure. "Gotta Hold On" is certainly reminiscent of St. Germain's early work, with the jazz & vocal samples shimmying hand-in-hand with the rhythm. "Pray For Me" brings in the gospel for a hand-clapping experience that segues seamlessly into the pure jazz of "That Jazz" with its hints of "It Don't Mean a Thing" which, in turn, gives way to the Latin-tinged "Take 53." "Boomerang" slows things back down, and "Hold On I'm Comin'" goes for the full-on swamp blues, though with an odd orchestral interlude that I think messes up the mood. "Mamma's Spanish Joint" brings the Latin jazz full force, and "See the Light" ends the album on some looped topped by Jones' harmonica playing. A nice spin.
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